Darbārī Kānaḍā
Grave, majestic and unhurried — the courtly rāga of Miyān Tānsen.
Darbārī is sung in a slow, weighted vilambit where the komal Gandhār oscillates in a broad, slow āndolan. It rewards patience above all: a single phrase may take a full āvartan to unfold.
ଏହି ଅଂଶ ଏବେ ଆପଣଙ୍କ ଭାଷାରେ ନାହିଁ — ଇଂରାଜୀରେ ଦେଖାଯାଇଛି।
ଆରୋହ, ଅବରୋହ ଓ ପକଡ଼
ସ୍ୱରଲିପି ସଙ୍କେତ — କୋମଳ ସ୍ୱର ଛୋଟ ଅକ୍ଷରରେ, ତୀବ୍ର ମଧ୍ୟମ M′, ମନ୍ଦ୍ର ସପ୍ତକ ˌ ଓ ତାର ସପ୍ତକ ′।
ରାଗର ଗତି
Movement is vakra and descending in character. The komal Ga is never held straight — it is approached from Ma and given a slow oscillation. Komal Dha likewise carries a gentle āndolan. Ni is used to lift back to Sa from the mandra saptak, and Pa acts as the second resting point.
ବ୍ୟବହୃତ ତାଳ
Kin bairan kān bhare
X = ସମ · 0 = ଖାଲି · ୨, ୩, ୪ = ତାଳି · ଗୋଟିଏ ଘର = ଗୋଟିଏ ମାତ୍ରା · – = ଦୀର୍ଘ ସ୍ୱର।
Learn the sthāyī first at a very slow laya so the āndolan on komal Ga settles in the voice before any taan work begins. The mukhḍā lands on Sa on the sam.