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Sangeetshala SADHANA · SANSKARA · SANGEET ÚNETE
Ficha del rāga · Sandhyā · Sunset

Pūriyā Dhanāśrī

पूरिया धनाश्री

Rich and devotional — the rāga of the closing day.

A sunset rāga combining the phrase-shapes of Pūriyā with the strong Pa of Dhanāśrī. Komal Re, komal Dha and tīvra Ma give it the deep colour of the Pūrvī family.

Esta sección aún no está traducida a su idioma; se muestra en inglés.

Hora de interpretación
6:00 – 9:00 PM
Sandhyā · Sunset
Thāṭ
Pūrvī
Jāti
Sampūrṇa – Sampūrṇa
Vādi
Pa (P)
Samvādi
Re (r)
Melakartā carnática
51 · Pantuvarāḷi
Swara vistār

Ārohaṇa, avarohaṇa y pakaḍ

Escritura de la notación
Āroh · ascenso
ˌN r G M′ P, d P N S′
Avroh · descenso
S′ N d P, M′ G M′ r G, r S
Pakaḍ · frase característica
ˌN r G, M′ d, P

Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.

Chalan

Cómo se mueve el rāga

Pa is the point of rest that distinguishes it from Pūriyā. Phrases twist around tīvra Ma and komal Re, with Ga used as a support for Re rather than a resting note in itself.

M′ d P, G M′ r G, r S
Tāl

Ciclos rítmicos empleados

Vilambit Ektāl
Baḍā khyāl
12 mātrā
Jhūmrā
Ati-vilambit khyāl
14 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
Bandish

Payaliyā jhankār morī

Choṭā Khyāl · Drut Tīntāl · Traditional
Sthāyī · texto
पायलिया झंकार मोरी बाजे झनन झनन
Payaliyā jhankār morī bāje jhanan jhanan
Antarā · texto
सखी री निकसत मोसे रह्यो न जाये, लाज लागे
Sakhī rī nikasat mose rahyo na jāye, lāj lāge
Ṭhekā — Tīntāl
16 mātrā
X1dhā
2dhin
3dhin
4dhā
25dhā
6dhin
7dhin
8dhā
09dhā
10tin
11tin
12
313
14dhin
15dhin
16dhā
Sthāyī · notación
Āvartan 1
X1PPa
2M'ya
3dli
4P
25Gjhan
6M'kār
7rmo
8G
09r
10S
11ˌN
12r
313G
14M'
15P
16M'
Āvartan 2
X1M'
2dje
3Pjha
4dnan
25Njha
6S'nan
7N
8d
09P
10M'
11G
12M'
313r
14G
15r
16S
Antarā · notación
Āvartan 1
X1M'Sa
2dkhī
3N
4S'ni
25ka
6S'sat
7r'mo
8S'se
09Nra
10r'hyo
11S'na
12N
313dye
14P
15M'
16d
Āvartan 2
X1Plāj
2M'
3Gge
4M'
25r
6G
7r
8S
09ˌN
10r
11G
12M'
313P
14M'
15G
16r

X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.

The mukhḍā approaches sam from Pa. Keep Ga tied to Re — a freestanding Ga makes the rāga sound like Pūrvī.

Notas de estudio

Puntos de estudio

Pa is the anchor
Strong Pa is what separates this from Pūriyā.
Ga supports Re
Use G M′ r G, r S rather than resting on Ga alone.
Sunset patience
The vilambit deserves a long ālāp; the rāga opens slowly.
Vecinos en el círculo
← Volver al círculo del tiempo