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Sangeetshala SADHANA · SANSKARA · SANGEET இணையுங்கள்

Brand Identity

How Sangeetshala looks and sounds

The identity is built from three things: a tanpura drawn in one line, a cream ground the colour of old manuscript paper, and type that keeps classical weight without turning ornamental. This page is the reference for anyone making something on our behalf — posters, certificates, recital programmes or social posts.

The Mark

A single stroke traces the neck and gourd of a tanpura, with one bead resting on the string. It works on cream, on navy, and at 24px as a favicon; nothing else is added to it.

Primary mark
Sangeetshala
SADHANA · SANSKARA · SANGEET
Wordmark lockup
Sangeetshala
Reverse on navy

Palette

Two navies, two golds, two creams — no more. Gold is an accent, never a field for text; the deep gold is the accessible variant for links and labels on cream.

Ink Navy
#16263A
Headings, navigation and every dark surface. The voice of the brand at rest.
Deep Navy
#0E1A29
Footers and full-bleed sections that need to sit below the page.
Temple Gold
#C9962E
Accent only — rules, kickers, small marks. Never a background for body text.
Gold Dark
#9C6E24
The accessible gold: use for accent text and links on cream.
Cream
#F7EFE0
The page. Everything is drawn on this ground.
Cream Deep
#EEE0C4
Cards, panels and quiet alternating bands.

Typography

Playfair Display carries the headings, EB Garamond the reading, Cormorant Garamond italic the bandish and quotations, and Jost every label, button and item of navigation.

Playfair Display 700 · display & headings
Rooted in Tradition
EB Garamond 400 · body text
A rāga is not a scale but a personality — a way of shaping time so that it can be remembered.
Cormorant Garamond 500 italic · pull quotes & bandish
Sur mile to jag mile
Jost 500 · labels, navigation, buttons
EXPLORE MUSIC · SADHANA · SANSKARA

In Indic scripts the matching Noto Serif family replaces EB Garamond and Playfair Display; keep Jost for Roman labels only, and never set Devanagari in a sans-serif at small sizes.

Voice & Tone

We write the way a good teacher speaks: precise about the tradition, unhurried, and never mystical for effect.

Exact, not exotic

Name the thāṭ, the tāl, the mātrā count. Diacritics are used correctly or not at all — rāga, not raaga.

Warm, not promotional

Invite; do not sell. No exclamation marks, no superlatives, no urgency devices.

Two scripts, one voice

Devanagari and Roman sit side by side as equals, in that order, with the same weight of attention.

Using the Identity

Do

Keep clear space around the mark equal to the height of its tanpura gourd.

Set the mark in gold-dark on cream, or in gold on navy — nothing else.

Let the page breathe: cream ground, generous margins, one accent per view.

Write Devanagari and Roman together wherever a rāga or bandish is named.

Do not

Do not stretch, rotate, outline or add a shadow to the mark.

Do not place the mark on a photograph without a solid navy or cream field behind it.

Do not set body copy in Temple Gold or in Playfair Display.

Do not introduce a second accent colour, gradient or emoji into brand material.

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