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Rāga Profile · Pūrvāhṇa · Forenoon

Deshkār

देशकार

Open and expansive — a morning rāga of wide, unhurried spaces.

A five-note rāga sharing its scale with Bhūpālī, distinguished entirely by emphasis: Deshkār lives in the upper tetrachord around Dha, where Bhūpālī rests below on Ga.

Time of Performance
9:00 AM – 12:00 PM
Pūrvāhṇa · Forenoon
Thāṭ
Bilāwal
Jāti
Auḍava – Auḍava
Vādi
Dha (D)
Samvādi
Ga (G)
Carnatic Melakartā
28 · Mōhanam
Swara Vistār

Ārohaṇa, Avarohaṇa & Pakaḍ

Notation script
Āroh · Ascent
S R G P D S′
Avroh · Descent
S′ D P, G P D P G, R S
Pakaḍ · Catch-phrase
G P D P G R S

Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.

Chalan

How the Rāga Moves

Phrases begin high and settle downwards. Dha is the note of rest and Pa the note of approach; Ga is touched but rarely dwelt upon. Ma and Ni are omitted entirely.

P D S′, D P G, R S
Tāl

Rhythmic Cycles Used

Vilambit Ektāl
Baḍā khyāl
12 mātrā
Jhaptāl
Madhya laya
10 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
Bandish

Jāgo bansī vāre

Choṭā Khyāl · Drut Tīntāl · Traditional
Sthāyī · Text
जागो बंसी वारे लाल भोर भई तोरे द्वारे
Jāgo bansī vāre lāl bhor bhaī tore dvāre
Antarā · Text
गोपी ग्वालन ठेर खड़ी माखन रोटी लिये
Gopī gvālan ṭher khaḍī mākhan roṭī liye
Ṭhekā — Jhaptāl
10 mātrā
X1dhī
2
23dhī
4dhī
5
06
7
38dhī
9dhī
10
Sthāyī · Swara-lipi
Āvartan 1
X1G
2Pgo
23Dban
4P
5G
06Rre
7S
38
9ˌD
10S
Āvartan 2
X1Rbhor
2Gbha
23Pī
4Dto
5S're
06Ddvā
7Pre
38G
9R
10S
Antarā · Swara-lipi
Āvartan 1
X1PGo
2D
23S'gvā
4Dlan
5S'ṭher
06R'kha
7S'ḍī
38D
9P
10G
Āvartan 2
X1P
2Dkhan
23Pro
4Gṭī
5Rli
06Sye
7ˌD
38S
9R
10G

X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.

Keep the sthāyī anchored above Pa. If the composition sits low around Ga, the ear hears Bhūpālī however correct the notes are.

Practice Notes

Points of Practice

Live in the uttarāṅg
Deshkār is decided by register, not by notes.
Dha is vādi
Rest on Dha; let Ga be a stepping stone.
Compare with Bhūpālī
Sing both back to back — the contrast teaches the rāga faster than rules.
Neighbours on the Circle
← Back to the Circle of Time