Deshkār
Open and expansive — a morning rāga of wide, unhurried spaces.
A five-note rāga sharing its scale with Bhūpālī, distinguished entirely by emphasis: Deshkār lives in the upper tetrachord around Dha, where Bhūpālī rests below on Ga.
Esta sección aún no está traducida a su idioma; se muestra en inglés.
Ārohaṇa, avarohaṇa y pakaḍ
Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.
Cómo se mueve el rāga
Phrases begin high and settle downwards. Dha is the note of rest and Pa the note of approach; Ga is touched but rarely dwelt upon. Ma and Ni are omitted entirely.
Ciclos rítmicos empleados
Jāgo bansī vāre
X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.
Keep the sthāyī anchored above Pa. If the composition sits low around Ga, the ear hears Bhūpālī however correct the notes are.