拉格简介 · Aparāhṇa · Afternoon
Madhyamād Sārang
मध्यमाद सारंग
Cool and steady — an afternoon rāga of few notes and long lines.
Also called Madhyamādi Sārang, this five-note rāga uses only S R M P n. Its economy is its strength: with Ga and Dha omitted, everything depends on how Ma and komal Ni are shaped.
本节尚未翻译成您的语言——以英文显示。
演奏时辰
3:00 – 6:00 PM
Aparāhṇa · Afternoon
塔特（母音阶）
Kāfī贾提
Auḍava – Auḍava主音
Ma (M)副主音
Sa (S)卡纳提克梅拉卡尔塔
22 · Madhyamāvati
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上行、下行与帕卡德
记谱文字
上行
S R M P n S′
下行
S′ n P M R S
帕卡德 · 特征乐句
n P M R, S
Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.
查兰
拉格如何行进
Ma is the vādi and the centre of gravity; komal Ni leads to the upper Sa and returns. Meend between Re and Ma, and between Pa and komal Ni, gives the rāga its flowing line.
M R, ˌn S R, M P n P M R S
塔拉
所用节奏循环
Vilambit Ektāl
Baḍā khyāl
12 mātrā
Jhaptāl
Madhya laya
10 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
班迪什
Sāvan kī ṛtu āyī
首段 · 唱词
सावन की ऋतु आयी
रे सखी, बदरा छाये
Sāvan kī ṛtu āyī
re sakhī, badarā chāye
次段 · 唱词
दामिनी दमके घनन
घोर घटा, पिया परदेस
Dāminī damake ghanan
ghor ghaṭā, piyā pardes
鼓套（Ṭhekā） — Tīntāl
16 mātrā
X1dhā
2dhin
3dhin
4dhā
25dhā
6dhin
7dhin
8dhā
09dhā
10tin
11tin
12tā
313tā
14dhin
15dhin
16dhā
首段 · 谱
一循环 1
X1MSā
2Pvan
3nkī
4Pṛtu
25Mā
6Ryī
7S
8ˌn
09Sre
10Rsa
11Mkhī
12P
313M
14R
15S
16ˌn
一循环 2
X1Rba
2Mda
3Prā
4nchhā
25S'ye
6n
7P
8M
09R
10M
11P
12M
313R
14S
15ˌn
16S
次段 · 谱
一循环 1
X1PDā
2nmi
3S'nī
4–
25S'da
6S'ma
7nke
8S'gha
09R'nan
10S'ghor
11ngha
12Pṭā
313M
14P
15n
16P
一循环 2
X1Mpi
2Ryā
3Spar
4ˌndes
25S
6R
7M
8P
09n
10P
11M
12R
313S
14ˌn
15S
16R
X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.
A monsoon text often paired with this rāga. Sing the meends fully — with only five notes, the glides carry the expression.
练习提示
练习要点
Meend is everything
Five notes with no glides is a scale, not a rāga.
Komal Ni only
Śuddha Ni turns it into Śuddha Sārang territory.
Rest on Ma
Let phrases resolve to Ma as often as to Sa.
时轮上的邻近拉格
← 返回时间之轮