Madhyamād Sārang
Cool and steady — an afternoon rāga of few notes and long lines.
Also called Madhyamādi Sārang, this five-note rāga uses only S R M P n. Its economy is its strength: with Ga and Dha omitted, everything depends on how Ma and komal Ni are shaped.
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Ārohaṇa, avarohaṇa y pakaḍ
Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.
Cómo se mueve el rāga
Ma is the vādi and the centre of gravity; komal Ni leads to the upper Sa and returns. Meend between Re and Ma, and between Pa and komal Ni, gives the rāga its flowing line.
Ciclos rítmicos empleados
Sāvan kī ṛtu āyī
X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.
A monsoon text often paired with this rāga. Sing the meends fully — with only five notes, the glides carry the expression.