Skip to content
Sangeetshala SADHANA · SANSKARA · SANGEET NOUS REJOINDRE
Fiche du rāga · Madhyāhṇa · Midday

Śuddha Sārang

शुद्ध सारंग

Bright and glancing — the noon light of the Sārang family.

A Sārang that takes both Madhyams: tīvra Ma in ascent and śuddha Ma in descent, with śuddha Ni. Ga is omitted, which gives the rāga its clean, open midday character.

Cette section n’est pas encore traduite dans votre langue — affichée en anglais.

Heure d’exécution
12:00 – 3:00 PM
Madhyāhṇa · Midday
Thāṭ
Kalyāṇ
Jāti
Auḍava – Ṣāḍava
Vādi
Re (R)
Samvādi
Pa (P)
Melakartā carnatique
65 · Sārangatarangiṇi
Swara vistār

Ārohaṇa, avarohaṇa et pakaḍ

Écriture de la notation
Āroh · montée
ˌN S R M′ P N S′
Avroh · descente
S′ N D P, M′ P M R, S
Pakaḍ · phrase-signature
ˌN S R M′ P

Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.

Chalan

Le mouvement du rāga

Re and Pa carry the rāga. The two Madhyams must be kept in their places — tīvra rising, śuddha falling — and the descent through Dha is brief and glancing rather than dwelt upon.

R M′ P, N D P, M′ P M R S
Tāl

Cycles rythmiques employés

Vilambit Ektāl
Baḍā khyāl
12 mātrā
Rūpak
Madhya laya
7 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
Bandish

Ab mohe pār karo

Choṭā Khyāl · Drut Tīntāl · Traditional
Sthāyī · texte
अब मोहे पार करो हे भगवन
Ab mohe pār karo he bhagavan
Antarā · texte
भव सागर में डूबत नैया मोरी, राखो लाज
Bhava sāgar mem ḍūbat naiyā morī, rākho lāj
Ṭhekā — Rūpak
7 mātrā
01tin
2tin
3
14dhin
5
26dhin
7
Sthāyī · notation
Āvartan 1
01RAb
2M'mo
3Phe
14Npār
5Dka
26Pro
7M'
Āvartan 2
01Phe
2Mbha
3Rga
14Svan
5ˌN
26S
7R
Antarā · notation
Āvartan 1
01M'Bha
2Pva
3N
14S'gar
5Nmeṁ
26Dḍū
7Pbat
Āvartan 2
01M'nai
2P
3Mmo
14R
5S
26ˌN
7R

X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.

The mukhḍā rises to tīvra Ma before the sam. Practise it slowly against the drone so the two Madhyams stay distinct at speed.

Notes de travail

Points de travail

Two Madhyams
M′ ascending, M descending — mixing them collapses the rāga.
No Gandhār
Ga is fully varjit; a stray Ga makes it Kalyāṇ-coloured.
Weight Re
Re is vādi and the natural landing note of most phrases.
Voisins sur le cercle
← Retour au cercle du temps