拉格简介 · Madhyāhṇa · Midday
Śuddha Sārang
शुद्ध सारंग
Bright and glancing — the noon light of the Sārang family.
A Sārang that takes both Madhyams: tīvra Ma in ascent and śuddha Ma in descent, with śuddha Ni. Ga is omitted, which gives the rāga its clean, open midday character.
本节尚未翻译成您的语言——以英文显示。
演奏时辰
12:00 – 3:00 PM
Madhyāhṇa · Midday
塔特（母音阶）
Kalyāṇ贾提
Auḍava – Ṣāḍava主音
Re (R)副主音
Pa (P)卡纳提克梅拉卡尔塔
65 · Sārangatarangiṇi
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上行、下行与帕卡德
记谱文字
上行
ˌN S R M′ P N S′
下行
S′ N D P, M′ P M R, S
帕卡德 · 特征乐句
ˌN S R M′ P
Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.
查兰
拉格如何行进
Re and Pa carry the rāga. The two Madhyams must be kept in their places — tīvra rising, śuddha falling — and the descent through Dha is brief and glancing rather than dwelt upon.
R M′ P, N D P, M′ P M R S
塔拉
所用节奏循环
Vilambit Ektāl
Baḍā khyāl
12 mātrā
Rūpak
Madhya laya
7 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
班迪什
Ab mohe pār karo
首段 · 唱词
अब मोहे पार करो
हे भगवन
Ab mohe pār karo
he bhagavan
次段 · 唱词
भव सागर में डूबत
नैया मोरी, राखो लाज
Bhava sāgar mem ḍūbat
naiyā morī, rākho lāj
鼓套（Ṭhekā） — Rūpak
7 mātrā
01tin
2tin
3nā
14dhin
5nā
26dhin
7nā
首段 · 谱
一循环 1
01RAb
2M'mo
3Phe
14Npār
5Dka
26Pro
7M'
一循环 2
01Phe
2Mbha
3Rga
14Svan
5ˌN
26S
7R
次段 · 谱
一循环 1
01M'Bha
2Pva
3Nsā
14S'gar
5Nmeṁ
26Dḍū
7Pbat
一循环 2
01M'nai
2Pyā
3Mmo
14Rrī
5S
26ˌN
7R
X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.
The mukhḍā rises to tīvra Ma before the sam. Practise it slowly against the drone so the two Madhyams stay distinct at speed.
练习提示
练习要点
Two Madhyams
M′ ascending, M descending — mixing them collapses the rāga.
No Gandhār
Ga is fully varjit; a stray Ga makes it Kalyāṇ-coloured.
Weight Re
Re is vādi and the natural landing note of most phrases.
时轮上的邻近拉格
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