Āhīr Bhairav
Tender and pastoral — Bhairav softened by a folk breeze.
A blend of Bhairav in the lower tetrachord with the komal Ni of Kāfī above. The result is warmer and more melodic than Bhairav proper, and it sits comfortably in light-classical and film idioms as well.
यह भाग अभी आपकी भाषा में उपलब्ध नहीं है — अंग्रेज़ी में दिखाया गया है।
आरोह, अवरोह एवं पकड़
स्वरलिपि संकेत — कोमल स्वर छोटे अक्षरों में, तीव्र मध्यम M′, मंद्र सप्तक ˌ तथा तार सप्तक ′ से चिह्नित।
राग की गति
The komal Re of the pūrvāṅg is oscillated as in Bhairav; from Ma upwards the rāga turns bright with śuddha Dha and komal Ni. Ma is the note of rest and the vādi.
प्रयुक्त ताल
Albelā sajan āyo re
X = सम · 0 = खाली · 2, 3, 4 = ताली · एक खाना = एक मात्रा · – = विलंबन।
Widely taught as a first Āhīr Bhairav composition. Keep the antarā's upper Sa approached through komal Ni — that turn is the whole character of the rāga.