Āhīr Bhairav
Tender and pastoral — Bhairav softened by a folk breeze.
A blend of Bhairav in the lower tetrachord with the komal Ni of Kāfī above. The result is warmer and more melodic than Bhairav proper, and it sits comfortably in light-classical and film idioms as well.
हा भाग अद्याप तुमच्या भाषेत उपलब्ध नाही — इंग्रजीत दाखवला आहे.
आरोह, अवरोह व पकड
स्वरलिपी संकेत — कोमल स्वर लहान अक्षरांत, तीव्र मध्यम M′, मंद्र सप्तक ˌ आणि तार सप्तक ′ ने दर्शविला.
रागाची गती
The komal Re of the pūrvāṅg is oscillated as in Bhairav; from Ma upwards the rāga turns bright with śuddha Dha and komal Ni. Ma is the note of rest and the vādi.
वापरलेले ताल
Albelā sajan āyo re
X = सम · 0 = खाली · 2, 3, 4 = टाळी · एक खाना = एक मात्रा · – = लांबवलेला स्वर.
Widely taught as a first Āhīr Bhairav composition. Keep the antarā's upper Sa approached through komal Ni — that turn is the whole character of the rāga.