Āhīr Bhairav
Tender and pastoral — Bhairav softened by a folk breeze.
A blend of Bhairav in the lower tetrachord with the komal Ni of Kāfī above. The result is warmer and more melodic than Bhairav proper, and it sits comfortably in light-classical and film idioms as well.
ଏହି ଅଂଶ ଏବେ ଆପଣଙ୍କ ଭାଷାରେ ନାହିଁ — ଇଂରାଜୀରେ ଦେଖାଯାଇଛି।
ଆରୋହ, ଅବରୋହ ଓ ପକଡ଼
ସ୍ୱରଲିପି ସଙ୍କେତ — କୋମଳ ସ୍ୱର ଛୋଟ ଅକ୍ଷରରେ, ତୀବ୍ର ମଧ୍ୟମ M′, ମନ୍ଦ୍ର ସପ୍ତକ ˌ ଓ ତାର ସପ୍ତକ ′।
ରାଗର ଗତି
The komal Re of the pūrvāṅg is oscillated as in Bhairav; from Ma upwards the rāga turns bright with śuddha Dha and komal Ni. Ma is the note of rest and the vādi.
ବ୍ୟବହୃତ ତାଳ
Albelā sajan āyo re
X = ସମ · 0 = ଖାଲି · ୨, ୩, ୪ = ତାଳି · ଗୋଟିଏ ଘର = ଗୋଟିଏ ମାତ୍ରା · – = ଦୀର୍ଘ ସ୍ୱର।
Widely taught as a first Āhīr Bhairav composition. Keep the antarā's upper Sa approached through komal Ni — that turn is the whole character of the rāga.