Kedār
Devotional and lyrical — named for Śiva, sung in the first watch of night.
Kedār takes both Madhyams and uses a strongly vakra ascent. Its identity rests on the phrase S M, M P — a leap from the tonic straight to Madhyam that no other Kalyāṇ rāga makes.
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Ārohaṇa, avarohaṇa y pakaḍ
Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.
Cómo se mueve el rāga
Ga is omitted in ascent and touched only lightly in descent. Śuddha Ma is the vādi and the note of rest; tīvra Ma appears in descending turns from Pa. The leap S M must be clean and unhurried.
Ciclos rítmicos empleados
Kanhā re nand nandan
X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.
The sthāyī opens on the S–M leap, which makes it an ideal composition for fixing the rāga's signature in the ear from the first lesson.