Yaman
Serene, spacious and radiant — the first rāga most students learn.
The parent rāga of Kalyāṇ thāṭ, with tīvra Madhyam as its only accidental. Yaman is taught first because it is generous: every phrase sounds well, and yet it holds enough depth for a lifetime of exploration.
यह भाग अभी आपकी भाषा में उपलब्ध नहीं है — अंग्रेज़ी में दिखाया गया है।
आरोह, अवरोह एवं पकड़
स्वरलिपि संकेत — कोमल स्वर छोटे अक्षरों में, तीव्र मध्यम M′, मंद्र सप्तक ˌ तथा तार सप्तक ′ से चिह्नित।
राग की गति
Sa and Pa are used as passing notes in ascent, with the rāga leaning on Ga and Ni. The characteristic phrase begins from mandra Ni and rises through Re to Ga. Tīvra Ma is held; śuddha Ma belongs to Yaman-Kalyāṇ.
प्रयुक्त ताल
Ae rī ālī piyā bin
X = सम · 0 = खाली · 2, 3, 4 = ताली · एक खाना = एक मात्रा · – = विलंबन।
Perhaps the most widely taught vilambit bandish in Hindustani music. Learn the mukhḍā precisely: it enters well before the sam and defines the whole cycle.