Yaman
Serene, spacious and radiant — the first rāga most students learn.
The parent rāga of Kalyāṇ thāṭ, with tīvra Madhyam as its only accidental. Yaman is taught first because it is generous: every phrase sounds well, and yet it holds enough depth for a lifetime of exploration.
हा भाग अद्याप तुमच्या भाषेत उपलब्ध नाही — इंग्रजीत दाखवला आहे.
आरोह, अवरोह व पकड
स्वरलिपी संकेत — कोमल स्वर लहान अक्षरांत, तीव्र मध्यम M′, मंद्र सप्तक ˌ आणि तार सप्तक ′ ने दर्शविला.
रागाची गती
Sa and Pa are used as passing notes in ascent, with the rāga leaning on Ga and Ni. The characteristic phrase begins from mandra Ni and rises through Re to Ga. Tīvra Ma is held; śuddha Ma belongs to Yaman-Kalyāṇ.
वापरलेले ताल
Ae rī ālī piyā bin
X = सम · 0 = खाली · 2, 3, 4 = टाळी · एक खाना = एक मात्रा · – = लांबवलेला स्वर.
Perhaps the most widely taught vilambit bandish in Hindustani music. Learn the mukhḍā precisely: it enters well before the sam and defines the whole cycle.