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Sangeetshala SADHANA · SANSKARA · SANGEET NOUS REJOINDRE
Fiche du rāga · Pūrvāhṇa · Forenoon

Bilāwal

बिलावल

Bright, settled and cheerful — the rāga of the plain major scale.

The parent rāga of its thāṭ, using all śuddha swaras. Its identity comes not from accidentals but from its characteristic vakra turns around Ga and Dha, which keep it from sounding like a bare scale.

Cette section n’est pas encore traduite dans votre langue — affichée en anglais.

Heure d’exécution
9:00 AM – 12:00 PM
Pūrvāhṇa · Forenoon
Thāṭ
Bilāwal
Jāti
Sampūrṇa – Sampūrṇa
Vādi
Dha (D)
Samvādi
Ga (G)
Melakartā carnatique
29 · Śaṅkarābharaṇam
Swara vistār

Ārohaṇa, avarohaṇa et pakaḍ

Écriture de la notation
Āroh · montée
S G R G P, D N S′
Avroh · descente
S′ N D P, D N D P, M G R S
Pakaḍ · phrase-signature
G R G P, D N S′

Notation key — komal swaras in lower case, tīvra Ma written M′, mandra saptak marked ˌ and tār saptak with ′.

Chalan

Le mouvement du rāga

Ascent is deliberately crooked — S G R G P rather than a straight run. Nishād is touched lightly on the way to the upper Sa, and the Dha–Ni–Dha–Pa turn in descent is the phrase that names the rāga.

G R G P, D N D P, M G R S
Tāl

Cycles rythmiques employés

Vilambit Tilwāḍā
Baḍā khyāl
16 mātrā
Ektāl
Madhya laya
12 mātrā
Drut Tīntāl
Choṭā khyāl
16 mātrā
Bandish

Kavan baṭariyā gayo śyām

Choṭā Khyāl · Drut Tīntāl · Traditional
Sthāyī · texte
कवन बटरिया गयो श्याम मोहन प्यारो
Kavan baṭariyā gayo śyām mohan pyāro
Antarā · texte
रैन बसेरे की बातन बिसर गयी सुध बुध
Rain basere kī bātan bisar gayī sudh budh
Ṭhekā — Tīntāl
16 mātrā
X1dhā
2dhin
3dhin
4dhā
25dhā
6dhin
7dhin
8dhā
09dhā
10tin
11tin
12
313
14dhin
15dhin
16dhā
Sthāyī · notation
Āvartan 1
X1GKa
2Rvan
3Gba
4Pṭa
25Dri
6N
7Dga
8Pyo
09M
10G
11R
12Sśyā
313ˌNm
14Smo
15Rhan
16Gpyā
Āvartan 2
X1Pro
2D
3N
4S'
25N
6D
7P
8D
09N
10D
11P
12M
313G
14R
15G
16S
Antarā · notation
Āvartan 1
X1GRain
2Pba
3Dse
4Nre
25S'
6
7S'
8S'tan
09Nbi
10S'sar
11R'ga
12S'
313N
14D
15P
16D
Āvartan 2
X1Nsudh
2Dbudh
3Pmo
4M
25G
6R
7G
8P
09G
10R
11S
12ˌN
313S
14R
15G
16R

X = sam · 0 = khālī · 2, 3, 4 = tālī · one cell = one mātrā · – = sustain.

A useful first composition for beginners: the tāl is simple and the rāga has no accidentals, so attention can go entirely to the vakra phrases.

Notes de travail

Points de travail

Bend the ascent
S G R G P — never a straight S R G M P, which sounds like no rāga at all.
D N D P
This descending turn is the rāga's fingerprint.
Light Ni
Nishād is a passing note in ascent, not a resting place.
Voisins sur le cercle
← Retour au cercle du temps